Lucifer Season 5 Part 2 Review: Lightbringer is back in all his glory
Minor hiccups aside, Netflix’s Lucifer season 5 flies high as a good display of a good television show
Journalism
Love, Death & Robots Volume 2 Review: A formidable anthology that is worth all the hype
The second season of Netflix’s animated sci-fi anthology series may not surpass the highs of season one, but it doesn’t fall short either
Meel Patthar (Milestone) Movie Review: A deeply moving poem on relentless pursuits of life
Ivan Ayr’s indie film reminds one of how poetic cinema can be when it is as reflective, as ruminant
Life In Color Docuseries Review: A marveleous celebration of the colourful natural world
David Attenborough’s latest Netflix docuseries is awe-inspiring and breathtaking as it tells the story of how colour is used in the natural world
Them Series Review: Shocking, relentlessly horrific, but brilliant
Amazon’s excellent horror series Them is so hard-hitting and shocking that it ought to come with multiple trigger warnings
Kagittan Hayatlar (Paper Lives)Review: An unrestrained drama that leaves you teary-eyed
As heartbreaking as the climax is, Ulusoy forces the viewer to look at the story in a new light, one could even prod you to watch this film again, especially
Theethum Nandrum Movie Review: A simple, neatly bound tale about depravity
This crime-thriller stands tall with its simple, straightforward storytelling and some brilliant performances
Nigerians love Bollywood: Namaste Wahala director Hamisha Daryani Ahuja
Hamisha, the director of the Indo-Nigerian film, Namaste Wahala, which is currently streaming on Netflix, talks about the film, her career, and more
Drishyam 2: Guilt, as a threat to self
Drishyam 2 is the second half of a testament that states that “humans are selfish by nature”. While Drishyam explored the idea of a family, as a world, for which a man will go to any extent to protect, Drishyam 2 states that a man can be so self-centered – again the ‘self’ being his world – that anything beyond that world doesn’t matter, until it poses a threat.
Yeon Sang-ho: Zombie films reflect reality
The Train to Busan director, speaks about the film’s sequel, Peninsula, and the parallels between his fictional world to our real one that is ravaged by a pandemic